Marina因為頭髮打結過於嚴重而尋求靈媒協助，靈媒告訴她，頭髮的打結源自未解決的心理煩惱，並提出一種方法可帶她進入元神宮，幫助調整心靈風水。然而，進入元神宮並不簡單，Marina必須挑戰自我，找到一名擁有藍色頭髮的人，並吃掉他腦中的精華，以完成這場「以形補形」的儀式，開啟通往元神宮的道路。

Marina因為頭髮打結過於嚴重而尋求靈媒協助，靈媒告訴她，頭髮的打結源自未解決的心理煩惱，並提出一種方法可帶她進入元神宮，幫助調整心靈風水。然而，進入元神宮並不簡單，Marina必須挑戰自我，找到一名擁有藍色頭髮的人，並吃掉他腦中的精華，以完成這場「以形補形」的儀式，開啟通往元神宮的道路。

Set during the insurgency of 1863, the story focuses on a tragic romance between a poor gentlewoman and a rebel noble. After a bloody battle a unit of insurgents have been wiped out and only one survived, but badly wounded. He eventually finds shelter and care from a landsteward's daughter, hiding in a burned-out manor with an old servant

根据为儿童小说改编，背景是二战后的马其顿孤儿院，其设立的真正目的不是照顾孩子，而是灌输政治观念。诗一般的视觉效果和演员精彩的演出，让童年时的友谊和一生中的背叛，引起观众的共鸣

根据为儿童小说改编，背景是二战后的马其顿孤儿院，其设立的真正目的不是照顾孩子，而是灌输政治观念。诗一般的视觉效果和演员精彩的演出，让童年时的友谊和一生中的背叛，引起观众的共鸣

Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33.